Assignment: This is an exercise in magical thinking, in which you read the playfirst one way, then another: that is,according to its evident or historicalsense, and second, symbolically or allegorically. Accordingly, youare givingtwodifferentreadings of Richard’sfigure and the dramatic action of the play: the firstpsychological; the second allegorical.In order to do this persuasively, you have to select evidence from the play that supports either reading;and that evidence consists ofthewords / speech / language / imagery of the text—that is, what the characterssay toand aboutthemselves and each other1.For each reading, you will startwith Richard’s opening speech, interpreting his words to support first one and then the other account of his role (historical or magical,political figureor devil incarnate).2.You will then choose two scenesto arguethe nature ofRichard’sidentity (political figure or devil incarnate) and the play’s dramatic action: the first inwhich a principal characterin the play is seduced by Richard’s wiles, and the second in which s/he acknowledgesheror his error of understanding orsin.Those principal characters include Clarence,Anne, Hastings, Buckingham andQueen Elizabeth.3.Repeat.In addition to Richard’s and others’ asides,here are some suggested passages / scenes. Do take into account what transpires by the beginning of Act Four, when Richard ceases to speak and ingratiate himself with the audience.You need also to consider the factand manner of Richard’s death